SNOW PATROL - A Hundred Million Suns - (Polydor/Fiction/Geffen Records)
The album is preceded by the fantastic single "Take Back The City", which comes with a video shot in East London courtesy of acclaimed video director Alex Courtes (White Stripes "Seven Nation Army").
Gary Lightbody (vocals/guitars) says, ""I'm so proud of this record. Everybody played out of their skin. Garret (Jacknife Lee) continued his progression from maverick genius to one of the best producers in the world. Musically, lyrically and sonically the best record we've made"
The Grammy-nominated band's fifth studio album was recorded throughout the Summer of 2008 in Hansa Studios in Berlin (where Bowie recorded "Low," "Heroes" and "Lodger") and at Grouse Lodge deep in the Irish countryside. Written by Snow Patrol, the album was produced by Garret "Jacknife" Lee (Bloc Party, REM, U2).
Snow Patrol are one of the biggest selling UK bands this decade and A Hundred Million Suns follows up the 2006 Number One, seven-times platinum phenomenon Eyes Open which sold 2.1 million copies in the UK and over 1 million in the US. Eyes Open achieved platinum awards across the world from the US and Canada to Germany, Australia and beyond, selling over 4.5 million copies. Their single "Chasing Cars" has just received its 2 millionth download in the US.Snow Patrol Photos
The Snow Patrol we meet on A Hundred Million Suns is a band facing the same dilemma that Coldplay met on 2008's Viva la Vida; having conquered the world with a rousing, melancholy brand of MOR indie, where now? On the surface, A Hundred Million Suns seems to suggest, nothing especially new: producer Jacknife Lee, who first worked with the band on 2003's Final Straw and went on to work with the likes of U2 and REM returns to the fold; and an opening brace of songs suggest that a successful formula--chiming guitars, gentle builds, and Gary Lightbody's quavering, tremulous vocal--persists. Still, "Take Back The City", a windswept, electronic-tinged rocker, rather does for this band what "Dakota" did for Stereophonics, proving that a spot of sleek, synthetic motorik is not beyond their grasp, and there's a new, bright optimism to Lightbody's lyrics that sets the likes of "The Planets Bend Between Us" in light relief to some of Snow Patrol's earlier work. If you want experiments, though, you'll have to wait until the closing "The Lightning Strike", a 16-minute track in three parts that investigates Phillip Glass-style minimalism and electronic beats with some aptitude. --Louis Pattison
